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Accept ~ Russian Roulette


I know you raped me
And rocked my soul and life
You screwed my brain
And offered me a line

You set my heart on fire
To make me stick like glue
You know i'm coming
Down to the point of fear

You make me eat myself
I scream i pain in vain
To lose the last bit of identity
And forget humanity

That's what you like to do
To treat a man like a pig
And when i'm dead and gone
It's an award i've won

Do you think that pays
Pays for my life
Which i give now when i die

Wargames - killed in action
Wargames - for satisfaction
Shanghaied - killed in action
Wargames -

For you it is so easy
To erase my name
You might have a celebration
For the ones who died

Charity in general
Is tax deductible as well
Ain't that exciting
Ha ha ha, when everything is alright

Do you think that pays
Pays for my life
Which i give now when i die

Wargames - killed in action
Wargames - for satisfaction
Shanghaied - killed in action
Wargames -

What a lie to say i'm immortal
What a lie to sell me your fame
Where is god when i'm buried
Does he stop this bloody game

What a lie to say i'm immortal
What a lie to sell me your fame
Where is god when i'm buried
Does he stop this bloody game

Wargames - killed in action - wargames
Wargames - killed in action
Shanghaied - for satisfaction
Wargames - killed in action
Wargames, aaah
Wargames - killed in action
Wargames - for satisfaction
Shanghaied - killed in action
Wargames


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Global Music: Unbounded Sound Waves
Music is the only human language that does not require translation.
Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
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