Free Lyrics 2026

Billy Joel ~ Zanzibar


Ali dances and the audience applauds Though he's bathed in sweat, he hasn't lost his style Ali, don't you go downtown You gave away another round for free Whoa Me, I'm just another face at Zanzibar But the waitress always serves a secret smile, whoa She's waiting out in Shantytown She's gonna pull the curtains down for me, for me I've got the old man's car I've got a jazz guitar I've got a tab at Zanzibar Tonight, that's where I'll be, I'll be Rose, he knows he's such a credit to the game But the Yankees grab the headlines every time Melodrama's so much fun In black and white for everyone to see Whoa Me, I'm trying just to get to second base And I'd steal it if she only gave the sign, whoa She's gonna give the go-ahead The inning isn't over yet for me, for me I've got the old man's car I've got a jazz guitar I've got a tab at Zanzibar Tonight, that's where I'll be, I'll be INSTRUMENTAL INTERLUDE Tell the waitress I'll come back to Zanzibar I'll be hiding in the darkness with my beer, whoa She's waiting out in Shantytown She's gonna pull the curtains down for me, for me I've got the old man's car I've got a jazz guitar I've got a tab at Zanzibar Tonight, that's where I'll be, I'll be more free lyrics

Ali dances and the audience applauds
Though he's bathed in sweat, he hasn't lost his style
Ali, don't you go downtown
You gave away another round for free
Whoa

Me, I'm just another face at Zanzibar
But the waitress always serves a secret smile, whoa
She's waiting out in Shantytown
She's gonna pull the curtains down for me, for me

I've got the old man's car
I've got a jazz guitar
I've got a tab at Zanzibar
Tonight, that's where I'll be, I'll be

Rose, he knows he's such a credit to the game
But the Yankees grab the headlines every time
Melodrama's so much fun
In black and white for everyone to see
Whoa

Me, I'm trying just to get to second base
And I'd steal it if she only gave the sign, whoa
She's gonna give the go-ahead
The inning isn't over yet for me, for me

I've got the old man's car
I've got a jazz guitar
I've got a tab at Zanzibar
Tonight, that's where I'll be, I'll be

INSTRUMENTAL INTERLUDE

Tell the waitress I'll come back to Zanzibar
I'll be hiding in the darkness with my beer, whoa
She's waiting out in Shantytown
She's gonna pull the curtains down for me, for me

I've got the old man's car
I've got a jazz guitar
I've got a tab at Zanzibar
Tonight, that's where I'll be, I'll be

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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We Create Together

The future of global music is not determined by algorithms, nor is it monopolized by a few giants. It is shaped by every person who presses the play button. Maintain your curiosity, step out of your comfort zone. Support independent musicians and attend live performances. Seek connections through music - because we believe that a song can change a day, and music can change the world.

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